I haven't been very pleased with the results of my work and decided to improve my observation of value, color and edges. I decided to study Bouguereau and a a few others to make needed improvements. I also have been reading Solomon J Solomon's book about painting and have been experimenting with the painting method he describes, which is painting wet into wet alla prima. It is similar to the way Jeremy Lipking and Joseph Todorovitch paint, in as far as I can gather. It is painting lights and darks into an average color value wet base. I have been happy with the results and it is so much easier to work edges when painting wet into wet. Must of the work is small and quick, not much bigger than 4"x6".
My brothers are in to making music and they just released their new rap album... here is the link - http://www.myspace.com/archbishop13/music/playlists/brand-new-1149769 (Parental Advisory.
After moving to NY I finally got settled in enough to start painting again. Having not painted for two months I decided to make some small portrait studies and a quick Velazquez copy to get warmed up. I am also working on another landscape of a local waterfall called buttermilk falls.
This is a smaller study that I am working on. If I like it enough I may paint it larger. The small studies really help to see what is working and what isn't without investing alot of time and resources.
I come to realize that the only way to get better at painting is to paint! The only problem is time, not enough of it. Solution 1-2 hour color sketches of master paintings that are not much bigger than a post card. Here are the results.
I finished another self portrait and here are a couple of figure drawings from the figure structure class that I taught this past semester at Utah Valley University.
I am waiting to hear back from the Springville Muesum if one of my self portraits made it into this years spring salon exhibition. Wish me luck.
Working on the Bouguereau portrait and feel like I am making some progress, fixing some drawing errors and started a copy of Carl Bloch's Christ. I am becoming painfully aware that my edge quality is not up to par.
After looking at this copy I realized that I could put it a lot farther and there is still a lot of errors to fix. It is testing my patience. I really don't have the patience for this, but I realize that patience is it's own reward and that craftsmanship and workmanship is born in the fire of affliction. Still is process and may be for the rest of my life.